Awkward Moments in Entertainment History: Johnny Carson vs. Charlie Callas

UPDATE (1/27/16) – See the end of this post for some important clarification about what we now know is an urban legend!

Johnny Carson’s name means little to most people under 30, but, for folks of a certain generation (especially comedians), he endures as the gold standard for the late night talk format.  His was a Tonight Show that existed in a world very different from our own.  Not only did he dominate for three decades in terms of his own popularity, but that popularity entitled him to a position as an entertainment power-broker that would be structurally impossible amid the media landscape of 2011 (or, for that matter, 2001).

Carson’s status as a maker and breaker of careers is well-documented.  If Carson liked a comedian, said performer instantly had cache and, more importantly, a future in the business.  If Carson didn’t like a comic, it was more likely than not that stand-up would be quickly forgotten.

Performers of all kinds who were among Carson’s favorites had a “home” at the Tonight Show.  Frequent appearances kept them in the public eye—an invaluable resource in an era with no internet and little cable television.

This is the story of Carson turning on one of his own.

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SitCombat: 5/12/11

Akin to age-old queries concerning the sound of one hand clapping or a tree falling in a wood devoid of an audience, we now find ourselves faced with an edition of SitCombat without any actual combat.

Well, let me re-phrase: None of the editions of SitCombat feature actual violent conflict. What I mean to say is that two of our usual three participants have finished their respective seasons, thereby depriving us of a true competition. Without so much as an Archer re-run to be found, we’re now in a “Superman III” scenario wherein The Office had only itself against which to compete.

There’s no reason not to review the show, however:

The Office (NBC)

Tonight’s Episode: Dwight gets his inevitable (short-lived) turn as manager.

Good Stuff: “Must be because the stakes are so high” . . . The subtle change to the open as Dwight adjusts his desk samurai . . . Dwight’s portrait . . . Dwight pausing at Kelly’s nether regions and casting a skeptical eye . . . Dwight’s marble desk . . . “Gabe was a great guy, with so many wonderful qualities, but it was a challenge being touched by him” . . . The pirana? Oh, it’s a rescue . . . “As you pale skin and severe bone structure imply, you’ll age swiftly and poorly” . . . “You don’t have to keep wearing those boobie shirts” “THANK YOU!” . . . Toby’s excitement over being able to use the gun violence forms for the first time . . . “I love you guys…but don’t cross me…but you’re the best.”

Non-good Stuff: Hey! Opening the work day with the Pledge of Allegiance and morning announcements seems like a good idea . . . As I’ve said before, “Pathetic Gabe” is “Not Funny Gabe” . . . Five seasons ago, Dwight wouldn’t have taken Jim’s compliment in stride. He would have sworn revenge—and made good on that pledge.

Line of the Night: “If we’ve already fomented insurrection, are we grandfathered in?” – Jim, seeking clarification.

Overall: This one had some ups and downs. Getting a look at what Dwight would be like as manager was an obvious way to go, but, if the goal was to get viewers to think, “Man, that would be horrible,” that wasn’t my response. The staggered lunches and other impediments hit pretty close to home as far as some of my work history goes. That’s a story for a different article. Anyway, I thought more things worked than didn’t. Gabe is a terrible character right now. And the reconciliation between Jim and Dwight at the end of the episode seemed forced. Other than that, Dwight did amusing Dwight things all episode. Jim had his share of good moments. Andy didn’t contribute much this week. Basically, this episode was a close win where one player had to score over half his team’s points: A win is a win, but some other people need to step up. On the other hand, this was a “Dwight” episode, so that sort of imbalance is to be expected, I suppose.

The bigger issue is that this is an increasingly-large cast that just lost its central figure. Yet, I don’t yet get the sense that there’s a structure in place to fill that void. I grant that all of that is being saved for the finale and beyond, but I worry that whatever arrangement the writers come up with may not be suitable for long-term success. I still hold out hope that it can all work. I also still believe Andy will ultimately be the new boss.

GRADE: B-plus


Final Thoughts: I think next week I’ll have to come up with some competition for the much-heralded Office season finale. They’ve packed it with a bunch of (probably) twenty-second cameos, including Ray Romano, Jim Carrey, James Spader (for some reason), and Ricky Gervais. I should mention that it’s pretty disappointing that Gervais couldn’t even do his cameo in person. At any rate, they’re setting the bar high for the finale. I can’t let that go unchallenged.

WINNER: The Office (retains title by default)

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The Antisocial Network

Gather round, Generation Z, and take heed: There was a time when the internet was still the World Wide Web (or, to some, “America Online”).  Before Youtube, Facebook, Google, and Wikipedia formed the Mount Rushmore of the digital age, we searched for information with something called an “Alta Vista,” and we got our sports news from the “Go.com” family of sites.

Today I share with you a tale from this forgotten era.  This is a story from the Internet Graveyard.  This is the story of JustATip.com.

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SitCombat: 5/5/11

It’s the dawn of an exciting and frightening new era on The Office, as we’re treated to our first post-Michael Scott episode (although, as I said last week, the real test won’t come until the beginning of the 2011-12 season).  Meanwhile, 30 Rock winds down its penultimate season with tonight’s finale.  Archer has already wrapped and isn’t showing re-runs, so, again, this will be a two-horse race.

Can 30 Rock defend its title against the revamped Office?  This was SitCombat for May 5, 2011:
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The Axis of Ego Podcast: The Future of The Office

Special guest and longtime Office fan Rod Johnson (yes, that’s his real name) stops by to discuss the departure of Michael Scott / Steve Carell from NBC’s current flagship sitcom.  Tom and Rod talk about where the show is and where the show is headed.  Of course, there’s also the obligatory tangent to sing the praises of 30 Rock, but they push through it quickly enough.

Listen or download below!

Download

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Unfinished Business

Last night provided us with one of those rare glimpses at unfolding history with the full understanding of its significance as it happened.  The gleefulness of some of the responses were mildly troubling to me, as were the quickly-fatigued memes involving Waldo, Donald Trump death certificate demands (get it?!?), and various numbers of awaiting virgins (or not).  I’m simply not entirely comfortable celebrating a death, even a death that I myself agree was for the best and needed to happen.

I also noticed the usual strange lack of historical perspective by those of us living presently, particularly younger people.  Twitter was replete with comparisons of Osama bin Laden’s death to that of Adolf Hitler (in part because of a quirky historical coincidence regarding May 1st), and the celebration of Bin Laden’s death to V-J Day.  Anyone who thinks our current military operations or the destruction brought about by al-Qaeda are comparable to the events of World War II should cease all present leisure activities in order to find the time to read a book on the second World War.  Or, failing that, watch the History Channel for no less than fifteen minutes.

Despite these concerns, I understand the symbolism and significance of this achievement by the American government, and, more to the point, our military and intelligence communities.  This is an important moment of closure for many people.  This is an important moment of triumph for the personnel who have worked diligently for nearly a decade to carry out this task on behalf of a grateful nation.

Having said all of the above, I hope that our respective responses to the news of the past few hours are tempered by the knowledge that there is much work yet to be done.

Still at large:


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SitCombat: 4/28/11 (Or: On the Narrative Integrity of The Office)

Archer wrapped up last week after nearly winning four straight to end its season. We’re therefore down to two: 30 Rock, and the (crying) elephant in the (melancholy) room—The Office.  I have a feeling picking a victor in tonight’s SitCombat will be easy.  I’m either going to love The Office or pull several orbital muscles thanks to perpetual eye-rolling.

Let’s find out which it was.  This was SitCombat for April 28, 2011:

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Robot Movies Are Always Good

Or, if not “good,” at least “watchable.”  But it looks like Hugh Jackman and company will put the premise-I-just-made-up to the test with 2011’s Real Steel.

If Transformers could somehow have a baby with Rock ‘Em Sock ‘Em Robots, the resulting offspring would be this movie.  I’m not entirely sure whether this is meant to be taken seriously.  The tone is certainly indicative of such an intent.  That is, until the closing moments of what you see below, when Jackman screams “BRING IT!” to some unseen robot and/or boxer.  I can only hope this was done with at least a hint of irony.

The premise is that people no longer box because of the debilitating physical effects the sweet science can bestow upon fragile human flesh.  However, our mechanical allies are only too happy to step into the ring in our place.  Given that Jackman is evidently an ex-boxer, the cultural metamorphosis from human fighters to robot-only pugilism must have taken place in a matter of a few years.  This is merely a guess, but that’s probably not even in the top five most unbelievable plot points found in Real Steel.

Although I can’t fully support this endeavor, I bring it to your attention in the name of Robot History Month.  If nothing else, at least this movie helped provide work for several members of the robot community.

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A Far-Too-Detailed Blog About the 2011 WWE Draft

The annual sports entertainment rite of passage known as the inaptly-named WWE Draft took place tonight (April 25, as I write this).  The event fascinates me for reasons wholly unrelated to in-ring competition.  For fans savvy enough to read between the lines, the Draft offers a rare opportunity to divine how the organization’s creative team perceives the ideal business model over the course of the next year or so.

I thought it might be fun to break out the almost-a-cliche “live blog” format (Bill Simmons would call it a “running diary”) for this evening’s festivities.  Before I do that, indulge me the opportunity to provide my take on talent utilization within the company.

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Happy Easter!

I’d like to take this opportunity to drive the brow-o-meter down to its basest level for the first time ever with a video that has nothing whatsoever to do with this or any other holiday.  Enjoy!


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