The latest podcast from Tom and Mike is all over the map – literally! Take a listen as the two discuss everything from the current state of affairs in Egypt (not too many laughs in that portion of the podcast) and cultural imperialism to the
Super Bowl to the future of The Office to . . . Miley Cyrus’ new tattoo? Ugh. And, yet, through it all, they somehow manage to overlook the fact that it’s Valentine’s Day. Ritalin might help the next edition of this podcast. More tags than ever! Enjoy!
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By the Numbers
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I usually watch all three and informally think to myself, “Show X won the night.” Because I’m always looking for new content ideas, I figured there was no good reason not to make this a regular feature on The Axis of Ego. On the other hand, there are several reasons to make this a regular feature. Among them, (1) I’m going to be watching all three shows anyway, (2) formulaic pieces are easier to write (see, e.g., my entire sportswriting career), and (3) it gives me guaranteed content for the late-week spot, taking pressure off for Saturdays.




Justin Bieber: A Narrative Lyrical Analysis
On the heels of one of the greatest injustices in recorded human history, I now turn my
attention to the incomparable Justin Drew Bieber. I referred to Lady Gaga as a “near-prodigy” last week. There’s no qualifier necessary for Bieber. His is a gift in which we all share. Since his discovery as a thirteen-year-old, Justin Bieber has quickly emerged as Canada’s greatest entertainer since Alan Thicke and its greatest songwriter since Paul Shaffer.
His most successful single to date is the 2010 hit “Baby.” Perhaps the strongest indicator of Bieber’s preeminence is that the video for “Baby” is the most-watched clip in the history of YouTube. Not sneezing panda. Not basketball trampoline. Not evolution of dance. Not Charlie bit my finger. Justin Bieber.
Yet, as successful as Bieber has been, his mercurial, reclusive nature coupled with his impenetrable lyrical style has prevented him from yet achieving a number one single in these United States. In an effort to advance the cause of Bieber, I present the following narrative lyrical analysis of his biggest hit to date:
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