This Strange, Twitterfied World

The profound changes to our culture wrought by the rise of the Internet as a whole are obvious to all.  But I’m fascinated by one very surprising and strange way in which Twitter specifically altered the manner in which we interact with strangers – particularly famous ones.

Professional wrestler C. M. Punk unveiled a derisive montage of clips from the career of his current storyline nemesis John Laurinaitis (f/k/a Johnny Ace) on this past Monday’s episode of WWE’s Monday Night RAW.  The montage was set to an edited version of The Touch by Stan Bush, a song originally used in 1986’s “Transformers: The Movie,” and later memorably used in “Boogie Nights.”

I recognized the song two notes in, as Transformers holds the unlikely distinction of being the movie I’ve seen more times than any other in my entire life, thanks to my 1987 bout with chicken pox.

In any event, I tweeted the following to Punk following the show: “When deciding on soundtrack for the Johnny montage, did you at any point consider Stan Bush’s Dare?”

Dare was the other Bush-penned anthem on the Transformers soundtrack.  Naturally, the question was one of my (semi-)amusing quips, more a wink and a nod to indicate that I got the reference.  I never expected Punk to respond to this, one of the thousands of tweets he gets each day.  And he didn’t.

But you know who did?

Stan Bush.

Yes, in this bizarre world in which we find ourselves in soon-to-be 2012, my tweet directed at a famous person was intercepted by a third-party famous person, who then responded to the non-famous person who crafted it originally.

Bush wrote the following (as he did to a couple of other folks): “Dare has a bit of a wrestling connection as well these days,” then linked to this video, which was a live performance of Dare during indy promotion Chikara’s “King of Trios” tournament.

There’s something bizarrely egalitarian about Twitter.  Even as there are numerous tiers of popularity among the denizens of the site, just as there are in the non-online world, there’s one key feature that distinguishes it from a pre-Twitter society: Members of one strata have a direct, instantaneous method of connecting to those from another strata – and that works in both directions.

Younger people may not find strange the notion of a famous person they’ve never met interacting with them, but, for people old enough to remember life without the Internet, this can be a perplexing experience.

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The Axis of Ego Podcast: Mick Foley, Survivor Series, and UCBW

Tom recapped the trip to New York City for Survivor Series here, but Mike stopped by for a more thorough discussion of the events of that weekend.    They go about an hour on the podcast this time around, covering the background of getting to go to New York (0:00-6:00), arriving, seeing various WWE Superstars, and settling in (about 6:00 – 19:00), the lunch with Mick Foley (about 19:00 – 30:00), stories from Survivor Series itself (about 30:00 – 39:00), Mick’s comedy show and UCBW (about 39:00 – 53:00), and, finally, the Carnegie Deli (about 53:00).

Listen below and enjoy!

Download: The Axis of Ego Podcast 12-12-11

 

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At Least the BCS is Consistent

Our infallible BCS system produced a customarily-frustrating result tonight, to the surprise of almost no one.

The BCS passed over Oklahoma State for its BCS “National” “Championship” game.  The Cowboys, losers of one double-overtime contest, dominators of Oklahoma, and champions of the Big “XII” Conference, lost out in favor of SEC title game non-participant Alabama.  This, despite the fact that said BCS title game will feature the Crimson Tide playing the team that already defeated it, LSU.

Crimson Tide coach Nick Saban’s self-serving take: “I don’t see why there’s any reason to keep mulling over the [BCS] system . . . LSU’s the #1 team and we’re the #2 team.”

Nothing to see here, folks!  It’s self-evident that this is the right title game because the somewhat arbitrary system we’ve created says so, and a prominent figure from the almighty SEC agrees!  Move along, move along.

Adding to the frustration factor is the fact that the BCS has a gifted spin machine that released this just seconds after ESPN made the official on-air announcement of the games:

(Headline: Best Regular Season in Sports Ends as BCS Announces Bowl Pairings)

“Once again, the BCS has delivered a regular season that was exciting from opening kickoff to final whistle, while providing a great championship matchup,” said Bill Hancock, Executive Director of the BCS. “The top-ranked teams in all the polls—LSU and Alabama—will meet in the national championship game, and there are four other outstanding BCS bowl pairings. No. 3 Oklahoma State made a real run at the top this weekend; this year the difference between number two and number three was the closest ever under our existing rankings formula. Congratulations to the student-athletes and their coaches. An exciting and memorable bowl experience awaits all of them, and I can’t wait to watch.”

Putting aside the obvious fact that the BCS is never going to say anything other than “The BCS is great,” there’s an inherent problem with the logic of their argument.

Namely, the entire premise of the BCS is that the regular season matters.  In fact, the motto of the BCS is (the now sadly ironic) “Every Game Counts.”

The results tonight raise the potential paradox that, if the lynchpin of the pro-BCS argument is that every regular season game is of great importance, then how can a team that already lost to LSU get a second chance to play the Tigers?

More to the point, what happens if Alabama beats LSU by, say, three points?  What does that prove?  Or what happens if Oklahoma State beats Stanford by five touchdowns?

The internal logic of such a system collapses upon itself: The same squad got two cracks at the top-ranked team in the country under a scheme premised on the notion that each regular season game is of the utmost significance.

If the assertion is that we don’t need a playoff because the regular season is a quasi-playoff, then a rematch proves this assertion to be false.

The BCS can’t have it both ways.  If the system is legitimate because the “enhanced” regular season is an adequate substitute for a postseason tournament, then giving the same team two shots to win one game against LSU is unfair.  Not just to Oklahoma State, but to LSU.

In a system with a playoff, my contention would be absurd: The Green Bay Packers know that there’s a reasonable likelihood that they’ll have to defeat a team they already played to win another world title.  But the alleged “beauty” of the BCS is that a regular season game between two top teams is a “must-win” game.

Even within the context of the diminished expectations of a non-playoff system, is there any combination of outcomes (short of an LSU victory) that would produce an entirely-satisfactory and agreed-upon “champion?”

In the circular thinking of the BCS apologists, I’m sure the answer is a self-evident, “Yes, because, by definition, we have a championship game.  It says so on the cover of the program.”

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Escape to New York

It’s been an unusually-long time since I’ve posted, but there’s a good reason for that: I knew that writing about the trip I took to New York City a little over a week ago was going to take some time.  I’ll elaborate on some of these details in a podcast I hope to record soon, but here are the basics.

The genesis of this adventure was me noticing Mick Foley promoting a charity auction on his Twitter feed.  The Hardcore Legend auctioned off various pieces of memorabilia in order to help raise money for Vermont residents affected by Hurricane-Irene-spawned flooding of this past summer.

I barely paid attention initially because I’m not a memorabilia guy at all.  That changed when I realized there was one item up for bids that wasn’t meant for display on a shelf: An all-most-expenses-paid trip to New York City that included hotel accommodations, Survivor Series tickets, and lunch with Mick Foley himself.

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Awkward Moments in Entertainment History: One, Two…Uh…

This may not technically be “entertainment,” but what it lacks in that area it more than makes up for in the “awkward” department.  This is just excruciating to watch.  Best of luck in your future endeavors, Rick Perry.



“Oops.”

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Well, THIS is Unfortunate

I wish I were making this up.  Nope.


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My Father, the (Fake) Doctor

Among the cultural artifacts I unearthed at my mother’s house during recent preparations for a yard sale were issues of Time and Newsweek from March, 1961.

The Newsweek cover is especially fantastic.  The bleak picture painted in today’s media environment when one watches the news or reads a periodical steeped in world affairs is sometimes apparent.  However, for all the alleged hysteria of cable news outlets and sensational publications, we at least don’t routinely use imagery like planet Earth as a bomb with a lit fuse!  Living under the constant threat of nuclear annihilation is one thing, but ramming the message “YOU’RE ALL ABOUT TO DIE!” down the public’s throat in such a way doesn’t seem constructive.  I guess provocative Newsweek covers are nothing new.

Curious about the significance of the magazines, I asked my mom to explain why we had them.

She pointed out that each contained an advertisement that featured my then-24-year-old father (on the right).  The advertisements, smartly entitled “Doctor of Tomorrow,” promoted the A. H. Robins pharmaceutical company based in Richmond, Virginia.  The premise of the copy was that my father and the other man pictured in the ad were medical students practicing the art of drawing blood samples.  The ad makes the point that it takes many years for a medical student to become a quality doctor, then segues into a comparison about how the pharmaceutical industry takes years of research to develop quality medication*.

Neither of the people pictured in this advertisement were doctors or even medical students in real life.  Apparently (according to my mom), it was illegal at the time for actual medical professionals to appear in advertising of any kind.

Hence, this policy created the need for miscellaneous folks like my dad to serve as fake students to drive home a selling point about the relationship between seasoning doctors and researching medical breakthroughs.

___________

*Note again that Robins ordered this ad in 1961, before a significant portion of the population decided that pharma companies were, like, evil, man.
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The Last Toy

I recently helped my mom prepare for a yard sale by going to her house and sifting through my childhood toys so that she could label and group them more accurately.  As an only child in a middle-class family, I had a fairly substantial collection growing up: G. I. Joe, Transformers, and, to a lesser extent, Voltron, Thundercats, Silverhawks, Wheeled Warriors, Visionaries, M.A.S.K.Micro Machines, and more.  My cache of Masters of the Universe figures was particularly impressive, especially considering I had barely achieved sentience by the time MOTU reached the height of its popularity.

The lack of attachment I had to these items surprised me a little.  My only brief hesitation in letting my mom sell them was the idea that we could get much more money for them by going the eBay route, especially for some of the Star Wars toys.  After weighing the amount of work involved in conducting online auctions versus the relatively-modest payoff, I decided that the “juice” wasn’t worth the “squeeze.”

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Ghostbusters: A Narrative Lyrical Analysis

In honor of our impending Halloween weekend* and the zombie Moammar Gaddafis and slutty-fill-in-the-blanks who come with it, I thought it only fitting to scrutinize arguably the greatest sort-of-Halloween-themed song of all time.

The song I Want a New Drug Ghostbusters by Huey Lewis & the News Ray Parker, Jr. went all the way to #1 on the Billboard Hot 100 in 1984.  Sandwiched between the legendary “Woman Out of Control” and “Jamie” in the Ray Parker singles discography, Ghostbusters went to the top of the charts on the strength of a catchy guitar riff, memorable lyrics (see below), and the overwhelming success of the ’84 blockbuster film that inspired it.  No wonder the song took a nearly a whole day-and-a-half to write!

Let us then examine the meaning of this unforgettable hit song as we prepare to celebrate this fructose-centric holiday:

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How Things Used to Work

As I sat around on Sunday staring at a RedZone “quad-box” on my HDTV with my smartphone by my side and my laptop in my . . . uh . . . lap, I realized that even those of us who remember what the world was like before the Internet Era have fallen prey to it unaware of its implications.  We’ve somehow managed to habituate these profound changes to our lives.

My psychology teacher used to use the following example to illustrate the phenomenon of habituation: If you’re sitting in a classroom on a hot day with the window air conditioning unit running, you don’t “hear” the low, constant hum of the AC unless something redirects your conscious mind to it (in this case, the teacher saying “air conditioning”).  The constancy of the noise dulls your sensory response to it to the point that the noise is ignored.  He also used a similar example about not consciously feeling your own underwear until someone says the word “underwear.”  You get the point.

I think we’ve reached that level of desensitization with much of the technology that’s now melded to all aspects of our lives.  That hit home in concrete terms when I remembered a personal story that hadn’t crossed my mind in many years.  It was the equivalent of someone saying “air conditioning.”

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