Lady Gaga.* Two words synonymous with “Understated songwriting.”
Tackling the subtleties of the work of a performer with a proverbial finger on the very pulse of popular culture can modestly be described as daunting. Yet, that’s what we’ve attempted.
The subject will be Gaga’s 2010 hit “Telephone.” While anti-Gaga blasphemers and iconoclasts might label the song as chorus-heavy and repetitive, they fail to appreciate the intricate and powerful story that unfolds throughout her magnificent verses.
The multi-level analysis proved too challenging for one person to handle. That’s why I’ve enlisted the help of Mike Austin to expedite the deconstruction. He’ll be interpreting the Beyonce** portion of “Telephone” (marked by blue text) as the two of us explore the weighty undercurrents that flow through this cultural touchstone.








One Space, Two Space, Red Face, Typeface
However, once in a great while, an issue comes along that strikes such an emotional chord with me that I feel compelled to address it in an immediate and forceful manner.
Whether to put one space or two at the end of sentences is one such issue.
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