This year marks the 200th anniversary of the publication of the first edition of Snow White. Almost all of us are familiar with the Brothers Grimm collected story of the ongoing efforts of an evil queen to snuff out the only woman in all the land more beautiful than she.
What most people probably don’t realize is how Disney altered the plot in a critical way when it released its classic cartoon version of the tale in 1937. I don’t even mean the change to the written ending, which saw a reluctant Queen show up for Snow White’s wedding, only to be ambushed, locked into a pair of iron shoes that had been heated over hot coals, and then forced to dance until she died.
The change to which I’m referring relates to the Seven Dwarves (called the Seven Dwarfs by Disney and others). The Dwarfs were nameless in the original, referred to only as “the first one, the second one,” and so on. There was a more obvious need to name the Dwarfs for the purposes of non-literary versions of the story. For example, the 1912 stage production called them Blick, Flick, Glick, Snick, Plick, Whick, and Quee.
Disney, however, gave each of the seven a distinct personality, complete with a defining characteristic and names to match. However, some of these little guys made out better than others. For no reason aside from my own amusement, here’s a ranking from worst-to-first of Snow White’s seven companions.
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Awkward Moments in Entertainment History: Rock Me Tonite
As our cultural integrity continues to buckle under the weight of exploitative “reality” programming and mindless pseudo-documentaries, it’s difficult to recall that MTV (f/k/a Music Television) was once the arbiter of success in the popular music industry.
The formula that determined an act’s commercial and popular potential had always included a variable accounting for personal attractiveness or style. That wasn’t a creation of cable television. Rather, the world-changing innovation provided by MTV was to affix a massive multiplier to that variable.
In its early incarnation, MTV was an all-powerful prism in which career trajectories could be altered for ill or for good as they passed through the channel’s airwaves.
This is the story of one career that did both.
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